These photographs open a window into the lives of those who have been uprooted from their homes, forced to leave familiar landscapes behind and embark on uncertain journeys, shedding light on the obstacles faced along the way, prejudice, discrimination and systemic challenges, while illuminating the resilience and hope that reside in the human spirit.

He is an artist and activist born in Mexico City in 1988.

His career began in documentary filmmaking for international human rights organizations such as Amnesty International and the UN and later expanded to other disciplines such as photography, journalism, graphic design and collage.
His photographic and journalistic work has been published by the Washington Post, BBC Mundo, Vice, Buzzfeed, El País, Newsweek, La Jornada, Reforma, El Universal, Animal Político, among others, and exhibited in artistic and cultural spaces such as Vertigo Galería, Casa Vecina and the CCUT.

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As a filmmaker, his work has focused on portraying and documenting the last decade of social change in Latin America, especially migration, forced disappearance and the COVID-19 pandemic. His film work has been exhibited at festivals such as Cervantino, Ambulante, GIFF and DocsMX and in cinemas such as Cineteca Nacional, Filmoteca de la UNAM and Centro Cultural España.

His plastic work has been used for research and campaigns by humanitarian and human rights organizations such as Amnesty International, Doctors Without Borders, Save The Children, Extinction Rebellion, UNHCR, among others.

Documentary filmmaker and photographer based in Mexico City. With films, photo essays and articles on human rights and humanitarian issues in Mexico, Guatemala, Honduras, Colombia, Venezuela and Brazil for NGOs and media such as WOLA, Doctors Without Borders, Amnesty International, The Guardian, Financial Times, Vice, Washington Post, El País, BuzzFeed, The Lilly, UNHCR, BBC Mundo, Newsweek, OXFAM, among others.

Through this exhibition, the images encourage us to confront our own prejudices, challenge prevailing narratives and recognize the shared humanity that unites us all. It is an invitation to reflect on our own roles in fostering an inclusive society that upholds the rights and dignity of every individual.

Selection Curator Alejandra Diliz Nava

Matamoros, Mexico, 2021
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Tamaulipas, 2022
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Ciudad Juarez, Mexico, 2023
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Baja California Sur, Mexico, 2019
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Rio de Janeiro, Brazil, 2016
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Mexico, 2022
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Untitled
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CDMX, Mexico, 2015
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Puebla, Mexico, 2016
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Tijuana, Baja California, Mexico, 2013
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Tabasco, Mexico, 2019
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Tabasco, Mexico, 2018
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Tabasco, Mexico, 2015
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Tapachula, Chiapas, Mexico, 2015
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Tapachula, Mexico, 2017
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Sepur Zarco, Guatemala, 2022
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Guatemala, 2022
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Sepur Zarco, Guatemala, 2022
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Portraits of LGBTIAQ+ migrants at the Mexico-Guatemala border.

Within this selection of photographs one can see how color takes center stage to give a deeper meaning to the communal detachment that migrants experience as they set out on their journey in search of their new destination; their portrait seems absent and already uprooted from what they once called home.

Tapachula, Mexico 2021
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Tamaulipas, Mexico, 2018
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Tijuana, Mexico, 2018
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Mexico, 2023
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The city is represented as a symbolic vehicle where the chaos of an infinite number of stories and characters converge and converge, revealing themselves to the artist’s gaze in order to emerge from anonymity.

ZÓCALO, Mexico City, 2023
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Mexico City, 2023
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Mexico City, 2023
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Spain, 2023
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Paris, France 2023
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Paris, France 2023
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Porto, Portugal, 2023
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Madrid, Spain, 2023
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Madrid, Spain, 2023
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Collage

The collage technique allows the artist to create a new dimension for the photographic work, since, using resources such as fragmentation, superposition and repetition of elements, he separates himself from the portrait of the reality that our eyes see and opens a door to play and expression.

ALONE
Digital collage, 2020

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CONTAGIO
Digital collage, 2020

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Digital collage, 2021

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BY WEIGHT
Digital collage, 2020

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MIRROR
Digital collage, 2021

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THREAT
Digital collage, 2021

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IXCA
Digital collage, 2020

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PORTRAIT
Digital collage, 2020

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Mujeres indígenas de Guatemala

CASA GAMA was born from the need of a family of art collectors and gallery owners to create the gallery of the future. A space that brings together artists who help people expand their consciousness about high priority issues to generate the change that humanity needs. CASA GAMA's mission is to promote art with a cause through a disruptive model in which income not only serves to support the gallery and the artist, but also to empower the protagonists of the works that inhabit them and that are, those who need it most. Additionally, CASA GAMA seeks to democratize art, bringing its exhibitions to the maximum number of people regardless of creed, social condition, race, sexual preference or any other variable that causes discrimination. The intention is to bring art to all people, and open the doors through different media and sales channels so that any conscience can enjoy the experience of being a collector

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